Posts tagged samantha friend cabrera
Finding Creativity Through Constraint

In her first-ever writing workshop, Samantha introduced the concept of "constrained writing," explaining how limitations or rules can ignite creativity. 

Drawing inspiration from the French literary movement Oulipo, she led the students through a series of writing exercises, including constrained, creative, and expressive writing. Rules and constraints can be powerful tools for channeling creative expression, especially for youth. Parameters can serve as guiding lights during our artistic journeys.

The constrained exercise pushed students to compose within specific boundaries, while the creative exercise invited them to collaboratively create fictional dialogues based on a painting. The students embraced this imaginative prompt with enthusiasm.

Finally, in the expressive exercise, Samantha encouraged students to free write about their loves, hates, or desires—emphasizing that sharing was optional, providing them a safe space to process emotions through unfiltered writing.

She was deeply moved by the students' enthusiastic embrace of experimental writing techniques. Initially hesitant about sharing their work, by the end of the workshop, many students proudly presented their creative pieces. 

This experience not only marked significant growth for the students but also boosted Samantha's confidence as a facilitator. Her workshops at The Alley Project are not only empowering young minds to explore photography and writing, they are also instilling a culture of recreational and safe critique. 

In Samantha's words, it is about "waiting in excited anticipation for what is going to be given to you, by your peers, or people who you enjoy, about how to improve what you're doing." This approach helped to reduce anxiety around feedback and fostered excitement for artistic growth. 





We Can Celebrate And Critique At the Same Time

During her residency at The Alley Project, Samantha Friend Cabrera transitioned from being an artist to a facilitator, leading a short series of workshops aimed at nurturing the creative spirits of a young audience. 

Although she doesn't typically consider herself a teacher, Samantha embraced the challenge of guiding a group of youth through a skill-building exploration of photography and writing. 

An accessible environment of learning was accomplished in what she called a "third space" on The Alley Project during the workshops. It wasn't school, and it wasn't home, but a unique blend of formality and informality, providing the students with a casual and educational atmosphere.

We Can Celebrate + Critique


In her photography workshop, Samantha curated a selection of works by renowned photographers like Martin Parr, Lourdes Grobet, and Rineke Dijkstra, whose bold imagery she found undeniably engaging. Throughout the workshop, she emphasized the importance of celebrating and critiquing art simultaneously, a perspective she adopted from Martin Parr. Samantha encouraged students to express their opinions, fostering an environment where both praise and constructive feedback were valued.

Recreational critique can help to generate excitement, instead of fear, around feedback: "Rather than fearing the red pen, or having an anxiety around what's going to be said about it, imagine being able to wait in excited anticipation for what is going to be given to you, by your peers, or people who you enjoy about how to improve what you're doing." Samantha felt that setting this foundation allowed the students to engage openly

Each student was invited to share three of their own photographs with the group. As each image was projected, the students explained their choices, opening the floor for group critique. Samantha enjoyed guiding the students through thoughtful discussions, exploring the artistic choices and deeper meanings behind their photos. This exercise not only enhanced their understanding of photography but also provided insights into their lives and interests.

'The Archivists' Opening Night

Opening night of The Archivists marked a powerful beginning to a month of shared learning and exchange. The exhibition opened to a strong and welcoming crowd, bringing together artists, organizers, students, neighbors, and partners from Detroit and Chicago. It was especially meaningful to see different networks intersect—university communities meeting neighborhood archivists, cross-city collaborators encountering one another’s work in person, and longtime practitioners sharing space with new audiences.


The Archivists is a month-long exhibition on community archiving and collective memory, presented at the Scarab Club from January 4 through February 4, 2023. Organized by Inside Southwest Detroit, the exhibition brings together artists and community archive initiatives from Detroit and Chicago to explore how everyday people preserve, share, and steward their histories.

Building 'The Archivists' Together

In the days leading up to the opening of The Archivists, the exhibition came together through a potluck style of collaboration with everyone bringing a pair of hands and a dish to pass. Artists, organizers, and partners gathered at the Scarab Club to spend time to put it all together while sharing stories and approaches to archiving as a collective practice.

The Black Bottom Street View, a large-scale panoramic installation built from archival photographs dating back to the 1940s–1950s, emerged as we worked side by side assembling the piece. Hastings Street came into view in the middle of the main gallery, inviting visitors to walk through a neighborhood that lives on through memory, images, and storytelling thanks to the Black Bottom Archives.

Near the garden doors we installed Nicole Marroquin’s work alongside fellow Chicagolandian Samantha Friend Cabrera’s exhibition, setting up a quiet dialogue between their practices. Together with Scarab Club staff, we arranged and hung The Southwest Detroiter Community Archives story by Elizabeth Valdez facilitated through Shoeboxing, grounding the exhibition in lived memory.

Upstairs Karen Cardenas prepared the room to feel like a familiar home rooted in the land and culture of her film No Te He Visto. A communal table and looping screen were positioned so visitors can sit together and experience the film as part of daily life.

The Joy Project transformed the corner of the main gallery into an education on land as archive with soil, seeds, and cultivation carrying history. They extended their presence upstairs in conversation with the shoeboxing stories and film.

By the end of installation, throughout the space, walls and corners were filled with quotes and texts in the words of each project’s founders and practitioners. Before the doors even opened, The Archivists already felt alive, shaped as much by collaboration as by the work itself.


The Archivists is a month-long exhibition on community archiving and collective memory, presented at the Scarab Club from January 4 through February 4, 2023. Organized by Inside Southwest Detroit, the exhibition brings together artists and community archive initiatives from Detroit and Chicago to explore how everyday people preserve, share, and steward their histories.